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My love of the moon, its phases and its connection to the earth's tides was the impetus to creating "Circles". I use concentrated watercolor paints on Dura-Lar, a synthetic translucent vellum, which allows some light to come from behind. I try to hint at the immensity and beauty of the cosmos but the images can simultaneously allude to life on a smaller scale, a cell, a blooming plant or a personal transformation.

 
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This series resulted from an accumulation of strokes of acrylic paint used like stitches, inspired by the fiber arts i.e., ikat cloth with its tie-dyed threads, embroidery and open weave cloth. “Follow the Drinking Gourd” is about the slaves escaping to the North and following the Big Dipper, or Drinking Gourd. It is also a tribute to Pete Seeger who sang the song of the same name so memorably.

 
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These paintings were inspired by my early childhood in Hawai’i where a great part of my life was spent outdoors absorbing its natural beauty. This inspiration continues in Southern California with its unique landscape, flora and climate.

 

Below: TEXTURES

These mixed media collages and assemblages use painted canvas pieces, fabric and many layers of acrylic paint to build up a more dimensional feel than just paint can do. These reference how the natural and political worlds impact the Pacific Asia cultures.

Blue Waving  12x12” Canvas, thread collage, acrylic on canvas 2018

Blue Waving 12x12” Canvas, thread collage, acrylic on canvas 2018

Underground Sprouting.  12x12” Print transfer on canvas, fabric collage                                                         Acrylic on canvas. 2018

Underground Sprouting. 12x12” Print transfer on canvas, fabric collage

Acrylic on canvas. 2018

Floaters. 40x60” Acrylic on canvas. 2019

Floaters. 40x60” Acrylic on canvas. 2019

Endangered 1, ‘O’hia Lehua Trees for Laka, Goddess of Hula,                            48x36”  Canvas, thread, acrylic on canvas. 2020

Endangered 1, ‘O’hia Lehua Trees for Laka, Goddess of Hula,

48x36” Canvas, thread, acrylic on canvas. 2020

Wardrobe. Fabric and thread on canvas. 48x36” 2021

Endangered 2, Red Target My grandmother’s silk garment, plastic bag. 2021

Endangered 2, Red Target

My grandmother’s silk garment, plastic bag. 2021

 
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The symbolism of these paintings refer to heaven (circle), earth (square), life and fertility (peaches and seeds), connections weak and strong between family members (thread). They each tell a story inspired by the lives of my family members, both ancestral and present.

 

COLLAGES

Collages made of repurposed older work, collages using image transfer techniques.